Hanks is a master of giving quiet movie moments weight, whether it’s the minutia of his life in the underground bunker, his acceptance of his terminal condition, or his paralyzing fear at the prospect of finding other humans in the postapocalyptic wilds. His character finds serenity in his survival routine, and in giving his dog a good life, and the apocalypse has only amplified his antisocial nature and distrust of other humans. It seems strange to suggest that a two-time Academy Award winner might be the most relatable actor in Hollywood, but nearly every role Hanks has played features the sort of authenticity that turns him into the audience’s surrogate in all of the experiences his characters endure - whether it’s storming Omaha Beach in 1944 in Saving Private Ryan, or struggling to survive on a deserted island in Cast Away.įinch’s experiences in the postapocalyptic world of the film are no exception, and Hanks’s portrayal of the film’s titular, dog-loving protagonist ranges from calm acceptance of humanity’s dire situation to palpable terror at the prospect of encountering other humans. From the ever-so-slight shrug of his shoulders when he sighs to the twiddling of his fingers while contemplating a problem, Jeff is a character filled with, well … character. But Jeff is such a fully realized character that both Jones and the visual effects team deserve plenty of praise for the depth they’re able to create in him. It’s often uncertain where the actor’s performance ends and the visual effects artists’ work begins. Sapochnik and the film’s visual effects teams squeeze an impressive amount of subtlety and emotion from Jeff, whose relatively plain “face” wouldn’t normally lend itself to a wide range of expressions.
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Jeff the android is an endlessly entertaining co-star for Hanks, holding his own against - and occasionally upstaging - the six-time Oscar nominee with moments fun, frightening, and poignant at various points. Not a solo storyĪlthough Hanks spends all but a few brief scenes as the only human character on screen, Finch is far from a Cast Away-esque one-man show. Due to prolonged exposure to radiation, Finch has a terminal condition, and he hopes to train the android to care for his dog when his own life ends.Īnd although the premise might seem a little silly - a man and his android dog-sitter at the end of the world - Hanks, Sapochnik, and actor Caleb Landry Jones ( Get Out, Three Billboards Outside Ebbing, Missouri), who provides the motion-capture performance and dialogue for the android, give the story a sense of profound sincerity. Fitbit Versa 3Īmong those projects is an artificially intelligent android equipped with the knowledge of all the encyclopedias, instruction manuals, and guidebooks Finch can find during his foraging missions. It’s a smart way of indicating his cognitive development. He starts out sounding non-specifically European, like a Moore-era Bond villain, developing hints of an American twang as he spends more time with Finch. There are some subtle plays in Landry Jones’ vocal performance too. Hanks, of course, is a master at simultaneously conveying world-weariness and hope. The development of that relationship, as Finch learns to surrender control and accept help after years of distrusting everyone but himself, is sweetly played. The impressively realised robot, Jeff ( Caleb Landry Jones), is a well-meaning innocent who is seeing the world with wide-eyed wonder, while Finch has seen it all too much.
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His scenes in the post-apocalyptic wasteland are epically beautiful, but his intimate scenes are full of feeling. Here, he shows he’s just as good with a much smaller canvas. If there was war, he was the man to direct it.
Director Miguel Sapochnik is best known for his enormous battles in Game Of Thrones.
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